Saxofón Tenor Yamaha YTS-82Z UL 03
Saxofón Tenor Yamaha YTS-82Z UL 03
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Tenor Saxophone Yamaha YTS-82ZUL 03
Tenor Saxophone Yamaha YTS-82ZUL 03
Tenor Saxophone Yamaha YTS-82ZUL 03
Tenor Saxophone Yamaha YTS-82ZUL 03
Saxofón Tenor Yamaha YTS-82Z UL 03
Saxofón Tenor Yamaha YTS-82Z UL 03

Tenor Saxophone Yamaha YTS-82ZUL 03

YTS-82ZUL
AVAILABLE IMMEDIATELY
€4,309.92

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Description

The YAMAHA YTS-82ZUL is a Pro-custom model tenor saxophone finished without lacquer, the choice of many jazz lovers.

It presents a bright colour due to the polishing that is done in the factory before the final packaging, but being a model without lacquer, the colour will be transformed over the days and the contact with oxygen, returning to the typical dark tone of the unlacquer vibe.

This series of saxophones starts the Custom range of the Japanese brand Yamaha. Renovated in 2013, the Yamaha 82Z gives musicians a great deal of freedom of expression, among other things thanks to the new finish of its bell, which is constructed in one piece and hammered by hand. In this way, we gain flexibility throughout the dynamic range.

In this new version, the Yamaha 82Z range is supplied with the V1 Neck (wider) , with a more open and expressive sound. Another improvement to note is the B-C# connection of the left hand mechanism, making it lighter. This custom series has metal resonator pads, with a great response and a wider sound. In addition to improving bass and treble output, they help us to pick up speed in fast passages. Another improvement that adds up is the possibility of adjusting the front F (X key), so we can control the opening of this key.

The independent fenders, allow adjustable stops for the screws, for a professional technical adjustment. The octave key has an exclusive spherical joint design for a more fluid and fast action. Backpack case included and accessories.

Features:

 - New V1 neck

 - Improved low B/C# connection

 - Metal resonators 

 - Adjustable thumb rest 

 - Adjustable front F key (X).

 - Unlacquered finish

 - Drawn tone holes

 - One-piece hand hammered bell.

 - New bell engraving.

 - Silicone treated leather pads with metal resonators.

 - Mother of pearl key buttons.

 - Blue steel springs.

 - Includes ligature and cap

 - Yamaha mouthpiece 4CM.

 - Includes case TST-820

Product Details

About Yamaha

Yamaha's founder, Torakusu Yamaha, an entrepreneur of his time, reflected the technological awakening and openness to the world that Japan experienced with the change of century in business development.  

Raised in what is now Wakayama Prefecture, Yamaha received an unusual education for his time from his father, a samurai surveyor with interests in astronomy and mechanics, who had an extraordinary library in his home.

His early jobs included repairing clocks, medical and surgical equipment. Due to the isolation of his area, a city school asked him in 1887 to repair the Mason & Hamlin pipe organ, manufactured in the U.S. He was very fast to notice the the potential bussines of the musical instrument industry in Japan, and Yamaha produced its own version of the organ within a year and then established a new business in Hamasatsu to manufacture organs for Japanese elementary schools. 

Western musical traditions attracted the interest of the Japanese government, which encouraged and addressed the growing enthusiasm for their culture. While Yamaha's technical education enabled him to manufacture a product, the government's investment in infrastructure allowed him to set up a business. To make the organ, Yamaha used modern methods of mass production and by 1889 employed 100 people and produced 250 organs per year.

During the 1890s, the upright piano surpassed the pipe organ in popularity in U.S. homes (lower cost) and Yamaha quickly saw the potential of this market. Expansion into pianos required more research, so the Japanese Ministry of Education sponsored a Yamaha tour for the United States in 1899. He studied the manufacture of pianos and established the relationship with suppliers of the materials needed to produce pianos in Japan. Within a year he produced his first piano. Government and institutional orders were the first to be delivered, including some units for the Ministry of Education. In 1902, using American materials and German technology, Nippon Gakki (Yamaha´s company name at the time) presented his first grand piano. 

The Yamaha emblem: a set of three fretboards used to tune musical instruments, dates from 1898 and has been the image of their logos. These three fretboards have a particular meaning for each of the products of this great corporation. In the area of musical instruments they mean the three essential elements of music: melody, harmony and rhythm.

The entrepreneurial spirit of Yamaha continued without rest, and despite the death of its founder, the company continued to expand until today, being well known its incredible diversification: band and orchestra instruments, guitars, drums, electric keyboards and pianos, motors, electronics, motorcycles, boats... becoming one of the biggest companies worldwide. And everything started with a young man who repaired watches...

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About Yamaha

Yamaha's founder, Torakusu Yamaha, an entrepreneur of his time, reflected the technological awakening and openness to the world that Japan experienced with the change of century in business development.  

Raised in what is now Wakayama Prefecture, Yamaha received an unusual education for his time from his father, a samurai surveyor with interests in astronomy and mechanics, who had an extraordinary library in his home.

His early jobs included repairing clocks, medical and surgical equipment. Due to the isolation of his area, a city school asked him in 1887 to repair the Mason & Hamlin pipe organ, manufactured in the U.S. He was very fast to notice the the potential bussines of the musical instrument industry in Japan, and Yamaha produced its own version of the organ within a year and then established a new business in Hamasatsu to manufacture organs for Japanese elementary schools. 

Western musical traditions attracted the interest of the Japanese government, which encouraged and addressed the growing enthusiasm for their culture. While Yamaha's technical education enabled him to manufacture a product, the government's investment in infrastructure allowed him to set up a business. To make the organ, Yamaha used modern methods of mass production and by 1889 employed 100 people and produced 250 organs per year.

During the 1890s, the upright piano surpassed the pipe organ in popularity in U.S. homes (lower cost) and Yamaha quickly saw the potential of this market. Expansion into pianos required more research, so the Japanese Ministry of Education sponsored a Yamaha tour for the United States in 1899. He studied the manufacture of pianos and established the relationship with suppliers of the materials needed to produce pianos in Japan. Within a year he produced his first piano. Government and institutional orders were the first to be delivered, including some units for the Ministry of Education. In 1902, using American materials and German technology, Nippon Gakki (Yamaha´s company name at the time) presented his first grand piano. 

The Yamaha emblem: a set of three fretboards used to tune musical instruments, dates from 1898 and has been the image of their logos. These three fretboards have a particular meaning for each of the products of this great corporation. In the area of musical instruments they mean the three essential elements of music: melody, harmony and rhythm.

The entrepreneurial spirit of Yamaha continued without rest, and despite the death of its founder, the company continued to expand until today, being well known its incredible diversification: band and orchestra instruments, guitars, drums, electric keyboards and pianos, motors, electronics, motorcycles, boats... becoming one of the biggest companies worldwide. And everything started with a young man who repaired watches...

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